El Petróleo al por mayor de China que no Pinta Mínimo
 
 


Lochner, Stephan Presentation in the Temple oil painting reproduction


Lochner, Stephan
la Presentación en el Templo
Presentation in the Temple
Pintura identificación::  19199
 1447, la técnica Mezclada en la madera, Hessisches Landesmuseum, Darmstadt.
1447, Mixed technique on wood, Hessisches Landesmuseum, Darmstadt.

 
 
   
      


Gentile Bellini Presentation in the Temple oil painting reproduction


Gentile Bellini
la Presentación en el Templo
Presentation in the Temple
Pintura identificación::  41219
 mk157 C. 1460 Wood 82x106cm
mk157 c.1460 Wood 82x106cm

 
 
   
      


GIOTTO di Bondone Presentation in the Temple oil painting reproduction


GIOTTO di Bondone
Presentation in the Temple
Pintura identificación::  44325
 1320-25 Tempera on wood, 44 x 43

 
 
   
      


Gerbrand van den Eeckhout Presentation in the Temple oil painting reproduction


Gerbrand van den Eeckhout
Presentation in the Temple
Pintura identificación::  84517
 Date 1671(1671) Medium Oil on wood Dimensions Height: 59 cm (23.2 in). Width: 48.5 cm (19.1 in). cjr

 
 
   
      


Gerbrand van den Eeckhout Presentation in the Temple oil painting reproduction


Gerbrand van den Eeckhout
Presentation in the Temple
Pintura identificación::  88368
 1671(1671) Medium Oil on wood cyf

 
 
   
      


Sebastien Bourdon Presentation in the Temple oil painting reproduction


Sebastien Bourdon
Presentation in the Temple
Pintura identificación::  96038
 circa 1644(1644) Medium oil on canvas cyf

 
 
   
      
Sebastien Bourdon
(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.
Presentation in the Temple
circa 1644(1644) Medium oil on canvas cyf

Related Paintings to Sebastien Bourdon :.
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